20P-4 (January 24) Compromises

Free-piled sculpture comes from a set of compromises different from that for formed sculpture. There is less equipment involved so it's easier to get one off, but the actual carving is more limited. Sharp edges and thin sections are nearly impossible.

But... what if we rethink the process so that a sculpture is less dependent upon those kinds of design cues? For this one, I tried some more subtle curves and hollows.